'Classic Bob Dylan" tracks from his eponymous 1962 debut
album through to the close of that magical decade and
"Nashville Skyline.' That's ten albums and ten chapters,
"The Basement Tapes' is placed in the time period that the
songs were written not at their final release date some eight
years later
I like the 'angle' from which Gill 'attacks' his subject, focusing
on the historical events, political forces, and literary influences
at work at the time Dylan wrote the songs in question.
Also used in the preparation of this text, are extracts from
interviews conducted by Gill with. Joan Baize, Robbie
Robertson, Al Kooper, Don (sic) Pennebake and 'Highway
61...' drummer Sam Lay Though from what I can see none of
these interviews are contemporary with the writing of the book
While this song-by-song analysis has much to offer the
committed Dylan fanatic its primary aim would seem to be a
couple of divisions down The author reveals his proposed
target audience in the books foreword: "This book is basically
to help people like James " Gill then describes the James' of
the world
Andy Gill:
This 144-pages hardback features over 90
photographs some in colour, though less than a third of the
pics are actually of Dylan. Published by 'Carlton' and priced at
£14.99 Available on mail order from My Back Pages, See
their advertisement in the back pages of this ISIS
Most of you will I'm sure have read Andy Gill in one or other of
the many music journals for which he has written over the
years He is Currently rock critic for 'The Independent' as well
as a regular contributor to 'Mojo, ''Q' and NME
"Dylan's progress through that decade (1960s), is a trail which
constituted the primary motor for my own development, as if
did for so many others; yet to a younger generation his
position grows progressively less clear. more vague and
blurred - possibly because of his constant creative flex, but
also. I think, simply as a result of the accelerating erosion of
knowledge which accompany our supposed "information
society A case in point in a weekly British music paper
recently. the guitarist with a highly successful American post-
grunge rode band we'll call him James - cited Dylan's 7he
Lonesome Death Of Hattie Carroll as one of his favorite
songs. Fine, except that he erroneously claimed it was a
fictional story - and one which. furthermore was apparently
issued on an album called 'Don't Look Back'